Veronica Dragnef's works narrate a journey of reconstruct and reconstruction, a meditation on uprooting, overlapping cultures and the struggle for identity survival in the era of globalization and international migration.  Her creative approach is a combination of acrylic, graffiti and collages on canvas or paper, illustrating the potential of a dialogue between various materials that, together, aspire to promote intercultural dialogue. The imprint technique, symbolizing rebirth, is a recurring theme in Dragnef's works.

Her creations draw inspiration from both the powerful universality of ethnographic symbols and cave and primitive art. She describes her work simply by saying, "My art is certainly the result of the suffering that accompanies uprooting, but also of the joy of having succeeded in making sense of these things."